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Choral Classics from Cambridge

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05:42:18
23.09.2019

Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Google Play): 🤍 More Information: 🤍 Social media: Brilliant Classics Facebook: 🤍 Brilliant Classics Instagram: 🤍 Spotify Playlists: Brilliant Classics Spotify: 🤍 New Classical Releases: 🤍 The Best of Liszt: 🤍 The Best of Bach: 🤍 Most Popular Piano Music: 🤍 Beautiful Classical Music: 🤍 Classical Music For Dinnertime: 🤍 Composer: Anton Bruckner, Franz Joseph Haydn, Gabriel Fauré, William Byrd, Wolfgang Amadeus Mozart Artists: Choir of King's College, Cambridge, Stephen Cleobury (conductor), Choir of St.Johns College Cambridge, Choir of Clare College Cambridge, Timothy Brown (conductor), Corydon Singers, Matthew Best (conductor) This set of 5 CDs showcases the celebrated choral music tradition that is at the heart of Cambridge’s Clare College, King’s College and St John’s College. Featuring a collection of popular choral favourites from composers such as Mozart, Elgar, Mendelssohn, Brahms and Purcell, and an in-depth exploration of Renaissance lamentations, this set also features a recording of Evensong and Vespers at King’s, evoking the college’s tradition of daily choral singing Thanks for watching! Feel free to subscribe and visit our channel for the best classical music from the greatest composers like: Bach, Satie, Mozart, Tchaikovsky, Beethoven, Chopin, Haydn, Ravel, Debussy, Verdi, Vivaldi, Handel, Brahms, Liszt, Schubert, Mendelssohn, Rachmaninoff, Wagner, Strauss, Handel, Dvorak, Schubert and many more! We upload complete albums, music for relaxing, working, studying, meditating, concentrating, instrumental music, opera, violin, classical piano music, sonatas and more! #FranzJosephHaydn #AntonBruckner #Choral #BrilliantClassics #Music #Composer #ClassicalMusic

Choral Evensong - Thursday, 1st December 2022 | Canterbury Cathedral

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00:45:53
01.12.2022

Join our clergy and choir live online for Choral Evensong from Canterbury Cathedral Evensong Order of Service: 🤍 Music List: 🤍 • VISIT US: The Cathedral is open to visitors and for services of worship: 🤍 • SUBSCRIBE to receive notifications of our daily worship and other Cathedral videos: 🤍 • WE NEED YOUR HELP: We are incredibly grateful for donations of any size in support of our ministry and stewardship of Canterbury Cathedral. We receive no regular state or Church of England funding yet it costs around £20,000 each day to run this special place. To make a donation and to find more ways to help, please visit 🤍 • SEND A PRAYER: submit your prayers for inclusion in our daily worship 🤍

4 Hours of Sacred Choir Music for Relaxation, Prayer, Work, Meditation & Sleep

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04:27:12
29.04.2022

This 4 Hour Sacred Choir Music compilation brings to you the best relaxing choir and sacred music for meditation. Its Church Choir background music combines cathedral music for sleep and can be used perfectly for sacred music meditation. Listen to this mix of a sacred music choir singing in church. You will find church music for sleep as well as choir music for meditation and choral music for sleep. This angelic choir music for studying is perfect for everyone who want to use choir music for productivity. These relaxing choir songs will help you to calm down and relax deeply. This Divine Church Choir Music is influenced by catholic choir music as well as orthodox choir music. Join Angels singing with angelic choir music. Maybe this could become your favorite sacred choir music mix? I hope you enjoy these 4 Hours of Sacred Choir Music for Relaxation, Prayer, Work, Meditation & Sleep. 🎵 | Find the single tracks of this video on our new channel Audio Sanctum: → 🤍 - ◎ CDs & Newsletter: If you are interested in Patrick Lenk's CDs, please click here: 🤍 - 🎵| Check out our new Sacred Choir & Chant Ambient Music Channel Audio Sanctum: → 🤍 ❤ Become my monthly Channel Supporter: 🤍 ❤ Become my monthly Patreon Supporter: 🤍 ❤ Single Donation: 🤍 ❤ Monthly Donation: 🤍 ◎ CDs: 🤍 ★ Newsletter: 🤍 If you resonate with my work, sign up for my newsletter, where I send an email every one or two months to all interested people about new music, some thoughts I have and projects I am working on? It would be amazing to connect there with you: 🤍 ▸ Spotify: 🤍 ▸ Apple Music: 🤍 ▸ Amazon: 🤍 ▸ Soundcloud: 🤍 ▸ Deezer: 🤍 ▸ iHeart: 🤍 ▸ Napster: 🤍 ▸ Tidal: 🤍 ▸ Pandora: 🤍 - ▸1 Hour Patrick Lenk Gregorian Chant Compilation: 🤍 Chant of the Mystics Playlist: 🤍 Orthodox Chant Playlist: 🤍

RENAISSANCE CHORAL MASTERPIECES

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01:21:04
18.03.2020

Music was an essential part of civic, religious, and courtly life in the Renaissance. ... The most important music of the early Renaissance was composed for use by the church—polyphonic (made up of several simultaneous melodies) masses and motets in Latin for important churches and court chapels. The Renaissance followed on from the Middle Ages and was for musicians an era of discovery, innovation and exploration - the name means 'rebirth'. It covers the music from 1400 to 1600.

Mo Ghille Mear (My Gallant Hero) - The Choral Scholars of University College Dublin

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00:04:03
05.02.2016

Help support Choral Scholars by joining our channel, and get access to exclusive perks! 🤍 Traditional Irish arr. Desmond Earley Text by Seán Clárach Mac Dómhnaill From the album ‘Invisible Stars – Choral Works from Ireland and Scotland’ The Choral Scholars of University College Dublin Artistic Director: Desmond Earley Solo: Mark Waters Bodhrán: Tristan Rosenstock (track) / Brian Garvin (visual) Released on Signum Records BUY IT NOW: 🤍 Sheet music: 🤍 The UCD Choral Scholars released their debut international recording on Signum Records on 11th December 2015 (USA and Canada – 12th February 2016). The disc, entitled Invisible Stars is an enchanting collection of traditional and contemporary choral music from Ireland and Scotland and features arrangements and new compositions by some of Ireland’s most celebrated composers for choir, including Michael McGlynn, Brendan Graham, Ivo Antognini, Bill Whelan and the group’s artistic director, Desmond Earley. Video by Zucca Films: 🤍 A Zucca Films Production DoP - Richard Kendrick Editor - Emmet Reddy Animator - Chris Lynch Colourist - Leandro Arouca 🤍 Media Milk, Dublin Costume - Alex Calder Art Director - Declan Winser Website: 🤍 Facebook: 🤍 Twitter: 🤍UCDChoral

Palestrina Choral Music Beautiful Choral

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06:54:27
29.08.2018

Missa Gabriel Archangelus 0:00:00 | Kyrie 0:04:20 | Gloria 0:10:50 | Credo 0:20:03 | Sanctus 0:25:25 | Benedictus 0:28:24 | Agnus Dei I 0:30:43 | Agnus Dei II 00:33:10 | Adiuro vos, filiae Hierusalem 00:36:43 | Ave Maria 00:41:49 | Caput eius aurum optimum 00:44:35 | Descendi in hortum nucum 00:47:17 | Dilectus meus descendit 00:50:02 | Dilectus meus mihi Missa Papae Marcelli 0:52:28 | Kyrie 0:56:24 | Gloria 1:01:55 | Creed 1:10:26 | Sanctus 1:14:10 | Benedictus 1:17:03 | Agnus Dei I 1:19:44 | Agnus Dei II 1:22:30 | Duo ubera tua 1:25:23 | Ecce tu pulcher es 1:27:52 | Ego Sum Panis Vivus 1:31:43 | Exsultate Deo 1:34:09 | Fasciculus myrrhae dilectus meus 1:36:31 | Fuit homo missus a Deo Missa Sine Nomine 1:39:47 | Kyrie 1:43:26 | Gloria 1:49:11 | Credo 1:58:04 | Sanctus 2:00:26 | Benedictus 2:02:44 | Agnus Dei I 2:04:37 | Agnus Dei II 2:07:02 | Guttur tuum sicut vunum optimum 2:09:55 | Hodie Christus natus est 2:12:20 | Introduxit me rex 2:14:42 | Jesu rex admirabilis 2:16:18 | Laeva eius sub capite meo Missa Ecce Sacerdos magnus 2:18:57 | Kyrie 2:23:05 | Gloria 2:29:11 | Credo 2:39:27 | Sanctus 2:44:09 | Benedictus 2:49:19 | Agnus Dei I 2:51:47 | Agnus Dei II 2:53:37 | Magnificat (Primi toni) 2:59:14 | Magnificat (Tone 8) 3:05:19 | Magnificat (Quinti toni) 3:15:39 | Nunc Dimittis (Quarti toni) 3:18:59 | Matin Responsory Missa O Regem cœli 3:22:03 | Kyrie 3:25:53 | Gloria 3:31:50 | Credo 3:41:39 | Sanctus 3:44:48 | Benedictus 3:47:26 | Agnus Dei I 3:49:32 | Agnus Dei II 3:51:56 | Osculetur me 3:54:42 | Nigra sum, sed formosa 4:00:30 | Peccantem me quotidie 4:05:24 | Pulchra es, amica mea 4:07:53 | Quae est ista quae prodreditur 4:10:38 | Pulchrae sunt genae tuae 4:13:19 | Salve Regina 4:18:26 | Salve Regina 4:23:31 | Si ignoras te Missa Virtute magna 4:26:15 | Kyrie 4:30:42 | Gloria 4:36:46 | Credo 4:46:52 | Sanctus 4:52:03 | Benedictus 4:55:11 | Agnus Dei I 4:57:29 | Agnus Dei II 5:00:08 | Sicut cervus 5:03:59 | Sicut lilium inter spinas 5:07:20 | Sitivit anima mea 5:11:24 | Stabat Mater 5:20:56 | Stella quam viderant Magi Missa Ad cœnam Agni providi 5:24:48 | Kyrie 5:28:47 | Gloria 5:35:23 | Credo 5:46:24 | Sanctus 5:50:54 | Benedictus 5:54:06 | Agnus Dei I 5:56:10 | Agnus Dei II 5:58:45 | Super Flumina Babylonis 6:01:54 | Surgam et cicuibo civitatem 6:03:53 | Surge, amica mea 6:06:26 | Surge propera amica mea 6:08:48 | Tota pulchra es, amica mea Missa L'Homme Armé 6:09:33 | Kyrie 6:12:31 | Gloria 6:17:40 | Credo 6:24:38 | Trahe me 6:27:09 | Tribus miraculis ornatum 6:30:52 | Tu es Petrus 6:33:48 | Veni Creator Spiritus 6:41:01 | Veni, dilecte mi 6:44:32 | Vineam meam non custodivi 6:47:22 | Viri Galilaei 6:52:07 | Vox dilecti mei

Wild Mountain Thyme - Choral Scholars & Alumni (UCD Festival 2021 Remote Performance)

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00:03:22
26.05.2021

Wild Mountain Thyme (Arr. Eoin Conway) Performed as part of the UCD Festival 2021. 27-29 May 2021. Join the festival here: 🤍 Remote performance from Choral Scholars of University College Dublin, performing 'Wild Mountain Thyme', as part of the 2021 UCD Festival. Artistic Director: Desmond Earley Producers: Desmond Earley & Gavin Coll Soloists: Ciarán O'Donovan From our second album. 'Perpetual Twilight', available from iTunes, Apple Music, and Spotify now. 🤍 Video created by Gavin Coll Audio mixed & mastered by Kevin Whyms This video © Choral Scholars of University College Dublin Audio Recording ℗ Choral Scholars of University College Dublin Drone Footage by SKY-ART FPV Website: 🤍 Facebook: 🤍 Twitter: 🤍 Instagram: 🤍ChoralScholars

Music Of Cathedrals and Forgotten Temples | 1-Hour Atmospheric Choir Mix

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01:15:41
20.03.2017

The Best Choral Orchestral Pieces of Cathedrals and Forgotten Temples! Tracklist: 0:00 Jeremy Soule – Peace of Akatosh (The Elder Scrolls: Oblivion Soundtrack) 4:09 Catholic Renaissance Hymns – Adoremus in Aeternum 6:42 Hans Zimmer – Aurora 15:17 Mozart – Requiem: Lacrimosa 18:26 Howard Shore – Evenstar (The Lord of the Rings: The Two Towers Soundtrack) 21:41 Gregorian Chant – Da Pacem Domine 26:15 Mychael Danna – Tsimtsum (Life of Pi Soundtrack) 29:05 Pergolesi – Stabat Mater: Dolorosa 33:48 Samuel Barber – Agnus Dei 41:44 Catholic Hymns – Pange Lingua Gloriosi 48:08 Erik Satie – Gymnopedie No. 1 (for Soprano) 51:47 Gregorian Chant – Dies Irae 54:53 Jeremy Soule – From Past to Present (The Elder Scrolls: Skyrim Soundtrack) 59:58 Howard Shore – Twilight and Shadow (the Lord of the Rings: Return of the King Soundtrack) 1:03:28 Gabriel Faure – Pie Jesu 1:06:56 Gregorian Chant – Te Deum Image: 🤍 ✖ NOTE: I do not claim to own or have rights to any music or pictures used in this video. All music and pictures belong to their respectful owners. Please support artists by purchasing their music. ✖ Follow me on facebook: 🤍 ✖ If you like this type of Music and you want to help the channel grow, using the Like and Share buttons is a great way to do it. Thank you very much for watching! ✖ Subscribe to my Electronic Music channel: 🤍 ✖ Note: If you have any question or problem with the music or pictures used in my videos, please contact me via facebook or Email: ✖ Request to remove a video or picture ✖ Add any kind of information which belongs to the video I've uploaded (Illustrator, Composer) ✖ etc.

Royal Choral Society: 'Hallelujah Chorus' from Handel's Messiah

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00:04:23
23.04.2012

The Royal Choral Society has performed Handel's Messiah on Good Friday at the Royal Albert Hall every year since 1876. The RCS filmed their performance on 6 April 2012 by kind permission of the Royal Albert Hall and the Royal Philharmonic Orchestra. This clip features the glorious Hallelujah Chorus with the choir performing under the baton of their Music Director Richard Cooke. Students from the City of Lodon School for Girls joined the choir for this performance.. For further information on forthcoming RCS concerts please see 🤍royalchoralsociety.co.uk.

A Choral Christmas

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01:49:03
14.12.2018

Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Tidal, Google Play): 🤍 Social Media: Facebook: 🤍 Instagram: 🤍 Spotify Playlists: Brilliant Classics Spotify: 🤍 Classical Piano Music: 🤍 The best of Liszt: 🤍 The best of Bach: 🤍 Most popular piano music: 🤍 Beautiful classical Music: 🤍 Classical music for dinnertime: 🤍 Composer & Artist: Various About this Album: A selection of beautifull classical pieces, traditional Christmas music and beautiful Christmas carols to help you get in the holiday spirit! Enjoy Tracklist: 00:00:00 Once in royals David’s city 00:04:41 Christmas Oratorio, BWV 248, PT1 ; I. Chorus. Jauchzet. Frohlocket!(Chorus) 00:12:42 Messiah, HWV 56, Pt 1:IV., And the glory of the lord shall be revealed 00:15:34 Messiah. HWV 56, Pt 1: XII. For unto us a child is born 00:19:38 Messiah. HWV 56, Pt 1: XVII. Glory to god in the highest 00:21:31 Rejoice and be Merry 00:23:01 Christmas Oratorio, bwv 248, Pt. 3: XIII. Chorus, da capo. Herrscher des himmels 00:25:24 Messiah, HWV 56, Pt 2: XXVI. All we like sheep have gone Astray 00:29:08 Messiah, HWV 56, Pt 3: LIII. Worthy is the Lamb…Amen 00:35:57 Ding Dong , Merrily on high 00:38:05 Christmas oratorio, BWV 248, Pt. 4: I Chorus. Fallt mit danken, Fallt mit loben (Chorus) 00:43:44 What sweeter music 00:48:03 Christmas Oratorio, BWV 248, Pt. 5: I. Chorus. Ehre sei dir, Gott, gesungen (Chorus) 00:55:04 O Little Town of Bethlehem 00:58:44 A Spotless Rose 01:03:01 King Jesus Hath a Garden 01:06:09 The Lamb 01:11:37 Bogoróditse Dyévo 01:12:16 Infant Holy, Infant Lowly 01:15:42 Dazu ist erschienen der Sohn Gottes, BWV 40 for the Second Day of Christmas: I. Coro. Dazu 01:21:06 Nun komm der Heiden Heiland, BWV 62 for the First Sunday of Advent: I. Coro. Nun Komm, der Heiden Heilan 01:24:36 Gelobet Seist Du, Jesu Christ, BWV 91: VI. Choral (Coro). Das hat er alles uns getan 01:28:35 Preise, Jerusalem, den Herrn, BWV 119: I. Coro. Preise, Jerusalem, den Herrn 01:30:11 Ich freue mich in dir, BWV 133: I. Coro. Ich freue mich in dir 01:31:59 While Shepherds Watched 01:34:41 Quittez, Pasteurs 01:37:52 In Dulci Jubilo 01:41:30 The First Nowell 01:45:54 Coventry Carol #Christmasmusic #Choralmusic #Choral #Classical #Classicalmusic #Christmas

Miserere mei, Deus - Allegri - Tenebrae conducted by Nigel Short

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00:05:30
15.10.2018

Allegri's haunting Miserere is famous for both its ethereal beauty and for the mystery surrounding its composition. It is written for 2 choirs, who alternate phrases and then unite for a final resolution. Buy the album 🤍 We are crowdfunding to record our next album. To find out more or support the campaign, please visit 🤍 Allegri's Miserere was filmed at St. Bartholomew the Great, London Tenebrae, directed by Nigel Short Produced and edited by John Coates 格雷戈里奥·阿莱格里(Gregorio Allegri)-梅斯(Miserere mei),德乌斯(Deus)-特内布拉(Tenebrae) 如果您喜欢这种表演,请查看我们的新电影系列《解锁的Tenebrae》,可从🤍 阿莱格里的米塞雷雷在伦敦圣巴塞洛缪大帝拍摄 🤍tenebrae-choir.com

25 Choral Classics - Beautiful Music for a Serene Mood

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16.07.2021

This compilation of choral classics is the perfect accompaniment to a contemplative day - get a true feeling of serenity whilst listening to pieces from Handel, Brahms, Mozart and more. 25 Choral Classics - Beautiful Music for a Serene Mood 00:00:00 J.S. Bach: Cantata BWV 147: Jesu, Joy Of Man’s Desiring 00:02:59 Mozart: Requiem Mass in D minor, K. 626: III Lacrimosa 00:06:15 Handel: Messiah: Hallelujah Chorus 00:10:01 Fauré: Requiem, Op. 48 – Pie Jesu 00:13:56 Bruckner: Locus iste 00:17:26 J.S. Bach: Matthäuspassion, BWV 244: Chorus - Wir setzen uns mit Tranen nieder 00:23:41 Fauré: Cantique de Jean Racine Op. 11 00:28:45 Tallis: If Ye Love Me 00:31:18 Pergolesi: Stabat Mater – I Stabat Mater Dolorosa 00:36:06 Mendelssohn: Chorale “Allein Gott in der Höh’ sei Ehr” 00:37:48 Fauré: Requiem, Op. 48 – Agnus Dei 00:43:15 Poulenc: Four Motets for Christmas: O Magnum Mysterium 00:46:33 Dunstable: Magnificat 00:54:46 J.S. Bach: Matthäuspassion, BWV 244: Choral: O Haupt voll Blut und Wunden 00:57:13 Brahms: Nachtwache I 00:59:47 Byrd: Ave verum Corpus 01:04:22 Haydn: Sanctus 01:10:59 Tavener: The Lamb 01:14:20 Faure: Requiem, Op. 48 – In Paradisum 01:17:07 Dufay: Magnificat 01:23:33 Beethoven: Mass in C major, Op. 86 – Gloria (Qui tollis – Quoniam) 01:32:33 Górecki: Totus tuus 01:41:36 Tallis: Te lucis ante terminum 01:43:56 Schumann: Frühe 01:48:04 Stravinsky: Ave Maria Classical At Home brings you expertly curated playlists of classical music across all genres, moods and eras. If you enjoyed this video please Like! If you would enjoy more compilations for your listening pleasure wherever you are and whatever you're doing subscribe here - 🤍 #ClassicalAtHome #classical #choral #serene

The Gartan Mother's Lullaby - The Choral Scholars of University College Dublin

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00:05:02
07.06.2017

Traditional Irish arr. Desmond Earley Collected by Seosamh Mac Cathmhaoil (1879-1944) From the album ‘Invisible Stars – Choral Works from Ireland and Scotland’ The Choral Scholars of University College Dublin Artistic Director: Desmond Earley Solo: Hazel Conway Harp: Geraldine O'Doherty (track) / Claire O'Donnell (visual) Released on Signum Records Available to order on Amazon and iTunes Amazon UK and IRL: 🤍 Amazon USA: 🤍 iTunes UK: 🤍 iTunes IRL: 🤍 iTunes USA: 🤍 Sheet music: 🤍 The UCD Choral Scholars released their debut international recording on Signum Records on 11th December 2015 (USA and Canada – 12th February 2016). The disc, entitled Invisible Stars is an enchanting collection of traditional and contemporary choral music from Ireland and Scotland and features arrangements and new compositions by some of Ireland’s most celebrated composers for choir, including Michael McGlynn, Brendan Graham, Ivo Antognini, Bill Whelan and the group’s artistic director, Desmond Earley. Video by Zucca Films: 🤍 A Zucca Films Production DoP - Richard Kendrick Editor - Emmet Reddy Animator - Chris Lynch Colourist - Leandro Arouca 🤍 Media Milk, Dublin Costume - Alex Calder Art Director - Declan Winser Website: 🤍 Facebook: 🤍 Twitter: 🤍UCDChoral

Choral Warm up #1: Full Vocal Warm up

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00:09:26
10.02.2018

Please subscribe! - This will help me get more content out there :) To take my online classes, please click here: 🤍 This video will give the choral directors resources and ideas of warm-up exercises that will help you choir achieve some of the following goals: 0:00 Beginning 0:11 A relaxed and free neck and jaw 0:51 Good singing posture 1:37 An open breath 3:44 Proper vowel shape 8:06 Balance and Blend Here is a link to a PDF of "Mi Me Ma Mo Morph" 🤍 If you are interested in knowing my core beliefs, click here: 🤍 Please e-mail Dr. Hale with any questions: roger.hale🤍utahtech.edu Download my vocal warm up tracks! 🤍 GET ADDED PERKS AND RESOURCES BY SUPPORTING ME ON PATREON! CLICK FOR DETAILS 🤍 #ChoralWarmUp #ChoralWarmUp1 #ChoirWarmUp This demonstration is given by Dr. Roger Hale and the Dixie State University Chamber Singers in St. George, Utah. #DixieStateChoirs #UtahTechChoirs

Auld Lang Syne - The Choral Scholars of University College Dublin

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00:03:52
27.11.2020

OUR BRAND-NEW HOLIDAY ALBUM ‘Be All Merry’ IS AVAILABLE HERE: 🤍 Auld Lang Syne Scottish Traditional (arr. Desmond Earley) Text by Robert Burns The Choral Scholars of University College Dublin Solo: Kiri O’Neill Released on Signum Records Website: 🤍 Facebook: 🤍 Twitter: 🤍 Instagram: 🤍ChoralScholars For decades, on these islands, the passage from the old to the new year at midnight has been celebrated by singing Robert Burns’ poem. This was first printed in 1788 although the author himself acknowledged that its origins lie in an earlier Scots-language ballad printed in 1711 by James Wilson. In this graceful arrangement, we hear the standard English version of the text set to a traditional Scottish melody. Sopranos and altos predominate in the four verses, sometimes in unison and, at times, underpinned by a Scottish- sounding drone. In contrast, the chorus is richly sung by the full complement of voices. LYRICS: Should old acquaintance be forgot, and never brought to mind? Should old acquaintance be forgot, and auld lang syne? For auld lang syne, my dear, for auld lang syne, we’ll take a cup of kindness yet for auld lang syne. And surely you’ll buy your pint cup, and surely I’ll buy mine! And we’ll take a cup of kindness yet, for auld lang syne. For auld lang syne ... We two have paddled in the stream, from morning sun ‘till dine; But seas between us broad have roared since auld lang syne. For auld lang syne ... And there’s a hand my trusty friend! And gi’es a hand o’ thine! We’ll take a right goodwill draught, for auld lang syne! For auld lang syne ... Executive Producer: Desmond Earley Directed by Matthew Leigh Director of Photography: Andrew Cummins Produced by: Nodlag Houlihan Associate Producer: Gavin Coll Edited by Emmet Reddy Make Up Artist: Amanda Conlon Audio Playback by Kevin Whyms Ensemble Manager: Aoife Perry Vocal Coach: Síle McCarthy-Cannon Recording Producer: Nigel Short Recording Engineer: Andrew Mellor Shot in Memorial Hall, Richview under strict COVID19 protection measures. ©℗ The Choral Scholars of University College Dublin, 2020

Harmonious Chorale || Highlife Medley || Chorale Music Ghana || Gh Choral Awards

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00:14:22
10.11.2018

Nea Wode Me Abeduru Ni - James Varrick Armaah Nkanfo Dwom - Presby Hymn (PHB 50) Miyim Nea Magye N'adi - George Mensah Essilfie Maseda Dwom - Sam Asare Bediako Mida Akpe Na Mawu - Kenn Kafui

Africa - Angel City Chorale

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25.11.2013

Audio file now available! * APPLE iTunes: 🤍 * CDBABY: 🤍 - Title: Africa Melody and lyrics by David Paich and Jeff Porcaro Performed by Angel City Chorale Soloists Rich Kennedy, Tommy Lamb, Tina Mitro, and Duff Watrous Artistic Director, Sue Fink Video edited by, Alex Chaloff, Annika Benitz Performance inspired by Eric Whitacre, 🤍 and Perpetuum Jazzile, 🤍 - Angel City Chorale is a nonprofit arts organization located in Los Angeles, CA, USA. We could not exist without our generous donors and sponsors. Want to help us make inspiring music and build community? DONATE AT: 🤍 Like us on Facebook! 🤍

Beethoven: Symphony No. 9 in D minor, 'Choral' - BBC Proms 2015

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20.07.2015

Subscribe and 🔔 to the BBC 👉 🤍 Watch the BBC first on iPlayer 👉 🤍 With the CBSO Chorus and the City of Birmingham Symphony Orchestra conducted by Andris Nelsons. #bbc All our TV channels and S4C are available to watch live through BBC iPlayer, although some programmes may not be available to stream online due to rights. If you would like to read more on what types of programmes are available to watch live, check the 'Are all programmes that are broadcast available on BBC iPlayer?' FAQ 👉 🤍

Sacred Treasures III: Choral Masterworks from Russia and Beyond

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00:55:38
16.01.2019

About: The fourteen selections comprising Sacred Treasures III feature music from the Russian liturgical canon recorded in sumptuously reverberant settings by leading Russian choruses. With a state-of-the-art mastering job to fully display the subtle harmonic interplay of the singers, this release offers pure balm for the ear and soul. The music covers a wide burst of historically important pieces, from ancient Greek Orthodox chant through early 20th Century choral masterpieces of Rachmaninov, plus one modern fantasy setting of Bach's Apollonian masterpiece "Komm Susser Tod" ("Come Sweet Death") by Scandinavian composer Gunnar Eriksson. The collection opens with an anonymous 13th Century Russian "Alleluia," set in the calmest tradition of the Orthodox service, followed by a "Sourp, Sourp" ("Holy, Holy") from the Divine Liturgy. Both are sung by the ST. PETERSBURG CHAMBER CHOIR, directed by Nikolai Korniev. More familiar, perhaps, are the four sections of Rachmaninov's Liturgy of St. John Chrysostom from 1910, sung by the large Russian State Symphony capella. There are three additional sections from Rachmaninov's Vespers collection of 1915, sung by the USSR MINISTRY OF CULTURE CHAMBER CHOIR under Valery Polyansky's direction. Should you know of savage beasts in need of calming, the Kiev Chant "Peaceful Light" (track 10) from Rachmaninov's Vespers will turn away all monsters. The recording also aims to represent the reverential dignity of the music. Following the traditions of the Orthodox Church, no instruments are sounded - not even bells. Everything about the music and the physical setting in which it is heard is designed to produce a feeling of heavenly peace. The music is never harsh, but rather blends into the richly decorated surroundings, lit primarily by candle light. All of these selections are designed to fit within the soft golden glow of ecclesiastical tranquillity. Rachmaninov's seven pieces are spread among a variety of other unusual works ranging from the wordless "Chorale" by Josef Ketchakmadze to the little "Serenade" by Rachmaninov's composition teacher, Sergei Taneyev (1850-1915), sung by the LEGE ARTIS CHAMBER CHOIR under Boris Abalian's direction in St. Catherine's Lutheran Church, St. Petersburg. (Yes, they have Protestant and Catholic churches in Russia.) Easily the most unusual and unexpected item in the collection is the setting of "The Lord's Prayer" by of all people Rimsky-Korsakov. Known for his virtuoso orchestral music, few will expect so deeply devout and reverent a piece from this composer. Although his choral music is rarely performed or recorded, he published several collections of religious texts, as well as 39 superb choral settings of Russian folk tunes. This version of "Our Father" is drawn from Rimsky's Opus 22 collection. Only with the fall of the Iron Curtain ten years ago has much music of this warmly spiritual type made inroads into the Western world. That which has emerged has indeed proven to be a sacred treasury, individual in that it combines spiritual dignity with unabashed human emotion music reflecting aspiration and pure love. All are couched within pure syllabic settings, free of formal counterpoint. While this music offers a high level of artistry, at the same time it refuses to call attention to its internal workings. (When first you encounter Sacred Treasures III, listen to Track 10 and you'll hear what I mean.) - You can buy it here: 🤍

BEETHOVEN Choral Fantasy for piano, voices, chorus and orchestra, Op. 80 #SSOPlayOn

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[With captions in German & English translation]. A pre-cursor to his Ninth Symphony, Beethoven’s sparkling 1808 Choral Fantasy for piano, vocal soloists, chorus and orchestra is a poetic tribute to the divine power of music. The Singapore Symphony Orchestra, Chorus and Youth Choir are joined by a cast of Singaporean vocalists Ee-Ping, Jessica Chen, Rebecca Chellappah, Jonathan Tay, William Lim and guest Chinese tenor Long Long, plus Malaysian piano wunderkind Tengku Irfan in this sunlit gem. 0:00 I. Adagio 4:30 II. Finale. 15:47 "Schmeichelnd hold und lieblich klingen" 19:34 Applause The Singapore Symphony Orchestra and Choruses dedicate this concert to all healthcare workers in Singapore - thank you for your care in these trying times. Concert sponsored by Symphony 924. Recorded live at the Esplanade Concert Hall, Singapore, 8 Nov 2019. Singapore Symphony Orchestra Andrew Litton, Principal Guest Conductor Tengku Irfan, piano Ee-Ping, soprano Jessica Chen, soprano Rebecca Chellappah, mezzo-soprano Long Long, tenor Jonathan Tay, tenor William Lim, baritone Singapore Symphony Chorus and Youth Choir Eudenice Palaruan, Choral Director Wong Lai Foon, Choirmaster An SSO Digital Premiere #SSOPlayOn Your support means more than ever during this time. Please consider donating to the Singapore Symphony. No amount is too small. Thank you. 🤍

Faure - Pavane Op. 50 (Choral version)

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30.05.2011

Halle Choir and Orchestra conducted by Maurice Handford, 1981

Official髭男dism - Choral A [Official Video]

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10.09.2022

映画『異動辞令は音楽隊 !』主題歌 Listen&DL 🤍 MORE INFO 🤍 [Video Credit] Director:Daiki Kamoshita,Hiroto Oshita Starring : Akira Sato,Kyoka Imamura Cast:Yasue Hamada,Akihiro Yamamoto Director of Photography:Makoto Tajima 1st Assistant Camera:Takashi Suzuki 2nd Assistant Camera:Haruna Seki 3rd Assistant Camera:Sou Li Lighting Director:Kayoko Maekawa Chief Lighting Assistant:Takaori Kidokoro Lighting Assistant:Issei Funato,Masahiro Inoue,Satoru Higuchi,Kazuhiro Fukuda,Nobuhiro Hagiwara Production Designer:Katsuaki Goto Production Designer Assistant:Chizuko Tanaka Art Props Designer : Atsushi Omori Hair & Make-Up:Katsuki Chichii Stylist:Minoru Sugahara Stylist Assistant : Amu Kukino Special Thanks : Eye's Press Colorist:Toshiki Kamei(Artone Film) Production Driver : Minoru Ishimoto,Ryota Nakaya,Shota Ejima Production Manager:IYO Production Assistant : Noriko Shikano,Miyu Okawa,Yoko Watanabe,Mitsuki Matsuyama,Mizuki Kadoguchi, Chih Yun Chen Producer:Kota Noguchi Production:FIRSTORDER FOLLOW "HIGEDAN" Website: 🤍 Instagram: 🤍 Twitter: 🤍 LINE: 🤍 TikTok: 🤍

A Choral for a Solmen Occasion - Marc van Delft; Musikkapelle Peter Mayr Pfeffersberg 2012

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A Choral for a Solmen Occasion - Marc van Delft; Musikkapelle Peter Mayr Pfeffersberg; Dirigent Josef Feichter; Wertungsspiel in Schlanders am 12. Mai 2012; 🤍mkpfeffersberg.it

"Uaxuctum" Choral Symphony - Giacinto Scelsi

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01.12.2022

Krakow Radio-Television Orchestra & Chorus conducted by Jürg Wyttenbach. I - (♩ = 52) - Mosso (♩ = 66) - Sostenuto (♩ = 58) - Tempo I (♩ = 52): 0:00 II - (♩ = 63) - (♩ = 56) - Tempo I (♩ = 63) - Di nuovo ritenuto (♩ = 56) - Tempo I (♩ = 63): 6:32 III - (♩ = 80): 10:36 IV - (♩ = 50): 13:16 V - (♩ = 66): 16:29 Scelsi's Uaxuctum was composed in 1961, being premiered much later in Köln on October 12 of 1987, performed by the Cologne Radio Chorus and Symphony Orchestra conducted by Hans Zender. It is subtitled "The legend of the Mayan city, destroyed by themselves for religious reasons" referring to a legend of a Mayan city that mysteriously disappeared in the ninth century: Uaxactun, located in which today is the Peten region, Guatemala. The city was originally called Siaan K'aan, roughly translated as "Born in Heaven". Labeled as a choral symphony, despite having nothing at all with a traditional symphony, Uaxuctum is considered as Scelsi's masterpiece. It is scored for an unusual orchestra composed of woodwinds, six double basses, expanded percussion, ondes martenot, mixed chorus and four vocal soloists; two sopranos and two tenors. The chorus is written in ten and twelve parts, incorporating all variety of microtonal manipulations, as well as breathing and other guttural and nasal sounds. Uaxuctum is not an abstract piece, but a narrative one whose "story" remains the composer's secret. The first movement is the longest, being divided in five sections. It opens in an ethereal manner, with the ondes martenot hovering mysteriously over the solo voices "mute" breathings and the infrachromatic sustained sounds of the low-keyed instruments. A tutti suddenly explodes, the chorus, divided into twelve parts, comes in and the tempo livens up. Then the opening atmosphere returns, the rhythms grow more articulate, the orchestra more "pointillist" as the ondes martenot slowly emerge from the depths on a long ascending line. Sistrum, vibraphone and ondes martenot dominate a short agitated interlude with their weird hues. The coda progressively recapitulates the opening mood, ending with the chorus' "mute" breathing. The second movement is quite different, written in a single continuous flow. It opens focused on the sopranos' high F. It unfolds in a kind of D minor enriched with micro-intervals. It turns dramatic, violent, rapid, with an anguishing and strangely oriental incantatory character. The movement is speckled with swift percussion figurations recalling Hindu tablas. The third movement is very short, but intensely dramatic with its brutal percussion outbursts and its jagged, almost convulsive delivery (most unusual of Scelsi). The successive tone poles (C, G, G#) are generally reinforced by the resonance of the fifth. The orchestra starts alone with tenebrous shades, and is at first only interrupted by a short choral intervention divided in twelve parts. It is only towards the end that the voices assert themselves, gradually dominated by the soprano's high G#. The four solo voices don't appear at all, as well as in the next part. The fourth movement is the riches and most elaborated, so far as the chorus goes. It starts with the chorus a cappella, the orchestra only coming in a discrete and progressive manner, to ebb away towards the end, leaving the voices unsupported. The music unfolds in a kind of chromatic E flat minor, and we are reminded of the second movement's incantatory and haunting side, as well as the rapid percussion recalling the Hindu tablas. The fifth movement fullfills the architectural symmetry of the whole work. The first half of the movement restores the beginning's unstable and "unfocused" mood, and now reaches the work's strongest dissonant tensions. The second half builds up links with the middle movements by its gradual assertion of E flat minor. Soloist and chorus remain constantly to the fore, the orchestra gradually rises to an intense climax. It remains in a sustained tutti, before slowly fading away in the mysterious ending, plunging Uaxuctum back into its original breathing noises. Picture: "Conversations in Mayan" by the North-American painter Tania Williams. Sources: 🤍 and 🤍 Score: 🤍

Russian Orthodox: Choral Music

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24.09.2021

A history of Russian Orthodox sacred music from the ‘Moscow Baroque’ to the present day, including many rare and long unavailable recordings. Artists: Various Artists 🎵 Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer): 🤍 💎More Information: 🤍 During the past century Russian Orthodox vocal music has experienced two periods of rebirth. The first, which began in the last years of the 19th century, consisted of a return to the popular sources of religious chant in the znamenny chant tradition passed down from its origins in ancient Byzantine chant and maintained by churches and choirs across Russia until the 17th century, when rulers such as Catherine the Great began to look westwards for cultural identity. Composers such as Kastalsky, Chesnokov and Grechaninov repudiated the Italian and French influences which had shaped the work of Classical and Romantic-era composers such as the Sacred Concertos of Bortniansky. repudiated the Italian and French influences which had shaped the work of Classical and Romantic-era composers such as the Sacred Concertos of Bortniansky. This renaissance was foreshadowed by Tchaikovsky’s setting of the Liturgy of St John Chrysostom in 1878 – in its time a controversial work, rejected by the Church – and reached its zenith with the two sacred cycles by Rachmaninoff: another setting of the Liturgy and then his religious masterpiece, the Vespers (All Night Vigil) of 1915. Once more suppressed by the 1917 Revolution, an authentic strain of Russian sacred music had to wait until the era of glasnost in the late 1980s and early 90s Composer: Dmitry Bortniansky, Piotr Ilyich Tchaikovsky, Artemy Vedel, 17 Alexander Gretchaninov, Pavel Chesnokov and more Tracklist: Track list in the comments Social media links: Instagram: 🤍 Facebook: 🤍 TikTok: 🤍 Spotify Playlists: Brilliant Classics Spotify: 🤍 New Classical Releases: 🤍 The Best of Liszt: 🤍 The Best of Bach: 🤍 Most Popular Piano Music: 🤍 Beautiful Classical Music: 🤍 Classical Music For Dinnertime: 🤍 Thank you for watching this video by Brilliant Classics, we hope you enjoyed it! Don’t forget to share it and subscribe to our YouTube channel. And visit our channel for other pieces by these composers and more of the greatest. We upload daily with complete albums and compilations with the best classical music. 🤍 #Tchaikovsky #PavelChesnokov #DmitryBortniansky #Baroque #Russian #Orthodox #BrilliantClassics #Music #Classical #Classics #Classic #Choir #Vocals

Gregorianischer Choral 1 von 18

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28.09.2011

Tiltel: Tractus: Domine, exaudi orationem meam Album: Himmlische Stimmen - Gregorianischer Choral Pater Godehard Joppich

Danny Boy - Choral Scholars of University College Dublin

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Danny Boy - Choral Scholars of University College Dublin & Desmond Earley (Official Music Video) From our second album, 'Perpetual Twilight' - available to buy and stream on all major music platforms. 🤍 Traditional (arr. Desmond Earley) Lyrics by Frederic Weatherly, set to the traditional Irish melody of "Londonderry Air". Arranged for Choral Scholars of University College Dublin by Desmond Earley. Soloists: Aoife O'Connor & Declan Wildes Directed & Produced by Gavin Coll Website: 🤍 Facebook: 🤍 Twitter: 🤍 Instagram: 🤍ChoralScholars Score published by Seolta Music 🤍 A Gavin Coll/PassionHouse Production, with November Seven Films. Executive Producer: Desmond Earley Directed by Gavin Coll Director of Photography: Daragh Murphy Associate Producer: Jules Coll Edited by Gavin Coll & Daragh Murphy Costume & Production Designer: Jules Coll Makeup Artists: Amanda Conlon & Charlene Flanagan Colourist: Daragh Murphy Audio Playback by Andrew Farrell Production Coordinator: Lara McDermott Production Assistant: Henry Cahill Continuity Advisor & Vocal Coach: Glenn Murphy Sync Audio: Kevin Whyms BTS Photographer: Emilija Jefremova BTS Videographer: Helio León Record Label: Signum Classics Artistic Director: Desmond Earley Ensemble Manager: Aoife Perry Vocal Coach: Síle McCarthy-Cannon and Glenn Murphy Conducted by Desmond Earley Produced by Nigel Short Recording Engineer: Andrew Mellor Mixed and Mastered by Andrew Mellor Audio recorded in All Hallows Church, Dublin, Ireland, 2018 Video recorded outdoors in Belvedere House & Gardens, under strict COVID19 protection measures. Our warmest thanks to Stephen Masterson, Mary Bannon, and all of the welcoming staff that allowed us to shoot in this beautiful venue in July 2021. We also thank Elizabeth and Kevin of CaToCa Find Foods for providing catering and excellent hospitality on the day. This video was produced under strict safety protocols from the Government of Ireland and University College Dublin's Safety Office. Thank you in particular to Peter Coulahan of the Safety Office for his continued guidance. All those not in front of the camera wore masks at all times, with social distancing, hand sanitising, and regular temperature checks in operation throughout the production. ©℗ The Choral Scholars of University College Dublin, 2022 Follow us on Spotify and Apple Music to hear our latest releases with Signum Classics. Lyrics: Oh, Danny Boy, the pipes, the pipes are calling From glen to glen, and down the mountain side, The summer’s gone and all the roses falling, It’s you, it’s you must go and I must bide. But come ye back when summer’s in the meadow, Or when the valley’s hushed and white with snow, It’s I’ll be here in sunshine or in shadow, Oh, Danny Boy, oh Danny boy I love you so! But when ye come, and all the flowers are dying, If I am dead, as dead I may well be Ye’ll come and find the place where I am lying, And kneel and say an Ave there for me; And I shall hear, though soft you tread above me, And all my grave will warmer, sweeter be, For you will bend and tell me that you love me, And I shall sleep in peace until you come to me!

The Parting Glass

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26.04.2013

Track available on 'Invisible Stars - Choral Works of Ireland and Scotland' Released on Signum Records on 11th December 2015 Available to order on Amazon and iTunes Amazon UK and IRL: 🤍 Amazon USA: 🤍 iTunes UK: 🤍 iTunes IRL: 🤍 iTunes USA: 🤍 Sheet music: 🤍 Mark Waters (solo vocal) Desmond Earley (artistic director) UCD Choral Scholars Sound Recording and Production: Kevin Whyms Direction: Matthew Leigh Production: Nodlag Houlihan Recorded and videoed on Sunday 7th April 2013 in Memorial Hall, University College Dublin, Ireland. This video and the arrangement ⓒ & ⓟ Desmond Earley 2013

Courting is a Pleasure - The Choral Scholars of University College Dublin

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Courting is a Pleasure - The Choral Scholars of University College Dublin Traditional (arr. Desmond Earley) The Choral Scholars of University College Dublin Solo: Caitríona Sherlock Bodhrán: Conor Lyons Guitar: Kevin Whyms Website: 🤍 Facebook: 🤍 Twitter: 🤍 Instagram: 🤍ChoralScholars Follow us on Spotify and Apple Music to hear our latest releases with Signum Records. To facilitate social distancing, a smaller ensemble was used to produce this music video in October 2020. This video was produced under strict safety protocols from University College Dublin's Safety Office. All those not in front of the camera wore masks at all times, with social distancing and regular temperature checks in operation throughout the production. About 'Courting is a Pleasure': Found masquerading under a variety of names throughout the Irish tradition, such as ‘Farewell Ballymoney’, and ‘Going to Mass Last Sunday’, 'Courting is a Pleasure' is a song of false love, betrayal, and emigration. Typically sung from the male perspective about a false young woman named Molly, here we have altered it to a female, singing about her dear love Jonny. In this traditional Irish song the girl sings a tale of an unhappy courtship after being slighted by her sweetheart Jonny, she warns people to be wary of men with a roving eye. The protagonist of the song curses the man in question and leaves Ireland for America bidding farewell to her sweet Ballymoney and Antrim. While the author remains unknown, the song itself is well-traveled and can be found amongst broadside ballads in the North of America. LYRICS : Courting is a pleasure Between my love and I And it's down in yonder valley I would meet him by and by. It’s down in yonder valley he is my heart's delight: “and it’s with you lovely Jonny  I would spend till broad daylight."   Going to mass last Sunday, My love, he passed me by. I knew his mind was altered By the roving of his eye. I knew his mind was altered To a lass of high degree: “Oh Jonny, lovely Jonny   Your looks have wounded me."   I then took out a bottle And I held it in my hand. Saying “Here’s a glass dear Jonny For our courtship is at an end. So raise your glass dear Jonny, Drink the bottle dry for me For there are 10 guineas wagered that married we’ll ner be”.   Oh never court a wee lad With a dark and a roving-eye Just kiss him and embrace him,  never tell him the reason why Just kiss him and embrace him Till you cause his heart to yield For a faint-hearted soldier never gained a battlefield   Oh farewell Ballymoney And to county Antrim too. Likewise farewell dear Jonny, I will bid you a fond adieu. America lies far away Across the ocean blue. And I’m bound for there dear Jonny And again I’ll ner see you. So raise your glass dear Jonny Drink the bottle dry for me And I’m bound for there dear Jonny And again I’ll ner see you. Executive Producer: Desmond Earley Directed by Matthew Leigh Director of Photography: Richard Kendrick Produced by: Nodlag Houlihan Associate Producer: Gavin Coll Edited by Emmet Reddy Makeup Artist: Amanda Conlon Audio Playback by Kevin Whyms Ensemble Manager: Aoife Perry Vocal Coach: Síle McCarthy-Cannon and Glenn Murphy Recording Engineers: Kevin Whyms and Gavin Coll Mixed and Mastered by Kevin Whyms Audio recorded in Memorial Hall, Richview, under strict COVID19 protection measures. Video recorded in Museum of Literature Ireland, under strict COVID19 protection measures. Our warmest thanks to Simon O'Connor, Director of Museum of Literature Ireland, and all of the welcoming staff that allowed us to shoot in the museum in October 2020. Our particular thanks to Domitille Garmy, Events Coordinator, for facilitating our video shoot. ©℗ The Choral Scholars of University College Dublin, 2021

Vector - My Name (Choral Video)

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31.03.2022

Vector & Choir performing the Acapella rendition of his forthcoming single titled, "My Name". Stream "My Name" - 🤍 Lead: Ogunmefun Olanrewaju David (Vector) Choir: Ogunmefun Olushola Yetunde Olufunke Ogundokun Femi Olabomi Mary Olabomi Olurebi Adedapo Ifeoluwa Hassan Abosede Hassan Oluwadara Hassan Oluwatosin Hassan Oreoluwa Ojomoyela Hannah Yetunde Seun Ekundayo Gbenga Balogun Oyewole Elizabeth Adewonuola Production Crew: Adekunle (Elder-statesman) Adeola Adeyemi Director: 21 Wave Street Gaffer: Young Gaffer Productions Editor: Oyefeso Olumide Extra Shots: Inanz Guest appearances: Gabriel Afolayan Monisola Osibodu Seun Anikulapo Kuti Jude Chukwuka Adaora Mbelu #Vector #MyName

Philippines 1st and 2nd Prize in Germany (U.P. Los Baños and Imusicapella Cavite)

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13.11.2020

🤍 You Raise Me Up - Arranger Nilo Alcala Go the Distance - Arranger John Pamintuan

2019 Busan Choral Composition Competition 1st Place Winning Work Premiere

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06.11.2019

2019 창작 합창 공모 1위곡 초연 -Jubilate Deo / Composer Mark Raeniel Agpasa (Philippines) bLyN HS Voice Chorale Cond. Celger Villa Campa Venzon

La meilleur plus grande chorale du monde

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24.12.2019

Choriste d'exception abonnés vous

Choral Evensong - Tuesday, 29th November 2022 | Canterbury Cathedral

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29.11.2022

Join our clergy and choir live online for Choral Evensong from Canterbury Cathedral Evensong Order of Service: 🤍 Music List: 🤍 • VISIT US: The Cathedral is open to visitors and for services of worship: 🤍 • SUBSCRIBE to receive notifications of our daily worship and other Cathedral videos: 🤍 • WE NEED YOUR HELP: We are incredibly grateful for donations of any size in support of our ministry and stewardship of Canterbury Cathedral. We receive no regular state or Church of England funding yet it costs around £20,000 each day to run this special place. To make a donation and to find more ways to help, please visit 🤍 • SEND A PRAYER: submit your prayers for inclusion in our daily worship 🤍

ocean is glowing and the choral is singing

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01.12.2022

Provided to YouTube by InfinityZero & Untitled Cube & PARADOX Music ocean is glowing and the choral is singing · Project Nirvana · Joey Wu · Project Nirvana 凨影无羁 ℗ InfinityZero & Untitled Cube & PARADOX Music Released on: 2022-12-02 Auto-generated by YouTube.

Epic Score - Onslaught (Intense Hybrid Choral Action)

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30.11.2022

For licensing purposes, please contact web🤍epicscore.com Stream or purchase music from Epic Score here: iTunes - 🤍 Amazon - 🤍 Spotify - 🤍 Websites: Official - 🤍 Facebook - 🤍 YouTube - 🤍 Title: Not Forgotten Artist: Epic Score Composer: Tarek Mansur, Gabriel Shadid Album: Onslaught Genre: Intense Hybrid Choral Action Trailer Score Image: 🤍

Mahler 2nd symphony brass choral Royal Concertgebouw Orchestra, D. Gatti

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08.02.2018

Trombones: Bart Claessens Nico Schippers Martin Schippers Raymond Munnecom Tuba: Perry Hoogendijk Trumpets: Omar Tomasoni Jacco Groenendijk Bert Langenkamp

Martha Argerich-Beethoven,Choral Fantasy

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01.08.2018

With Seiji Ozawa

Tchaikovsky : Overture 1812 (Full, Choral) (Sure, best version ever) - Ashkenazy*

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09.07.2012

Famous and very realistic. The choral contributions are very spectacular and effective. And the cannons are as they should be: not blazing out the music ! This is not cannons with behind them overture 1812.This is 1812 with realistic Cannons! In this transcription by American conductor Igor Buketoff the following changes and additions were made: The opening segment, God Preserve Thy People is sung a cappella by a choir. A children's or women's choir is added to the flute and cor anglais duet rendition of At the Gate, at my Gate. The orchestra and chorus unite in the climax with a triumphant version of God Preserve Thy People and God Save the Tsar. See Also: Slavonic March with cannons: :🤍 And see if you will blow away: Overture 1812 with Muskets,extra Cannons & spectacular battles with the same musical performance : Overture 1812 THE MOVIE: 🤍

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